Blurb

《玩偶之家》是挪威剧作家亨利·易卜生于1879年的剧作,亦是他的代表作品,又译作《娜拉》。
《玩偶之家》在《社会支柱》完成后两年写成,是易卜生首个引起轰动的作品,现时仍是他最有名的作品,它亦是很多中学及大学的指定读本。十九世纪盛行的一般佳构剧,如佳构剧的始祖尤金‧史克莱普等人之剧作追求计算情节,作品往往缺乏深度。易卜生吸收了佳构剧的手法,运用在呈现经他深思的问题上。《玩偶之家》堪称是易卜生最有代表性的社会问题剧。 因为它尖锐批评十九世纪的婚姻模式,故在出版初期极具争议性。《玩偶之家》的写法大多亦依从佳构剧,除了最后一幕,一反以解决事件为惯例的结尾,取而代之以一个讨论完结。虽然易卜生否认,但《玩偶之家》常被称为首个真正的女性主义剧本。[2]
英国首次在1893年演出《玩偶之家》,此版本由Janet Achurch演娜拉,而最受赞扬的美国舞台制作是1902年的版本,由Minnie Maddern Fiske演娜拉。1935年江青曾在上海金城大戏院出演该剧女主角。赵丹演男主角,金山、魏鹤龄演配角。导演团欧阳予倩、洪深、史东山,执行导演章泯。
此外,《玩偶之家》亦曾多次被拍成电影。

First Published

1879

Member Reviews Write your own review

ryan.bonn

Ryan.bonn

Spoilers ahead! I get that the end is the most impactful part of this play. And yet, it felt almost too predictable to me. I suppose it is just that my mindset is too 20th century. Do not get me wrong, I am glad Nora gained her freedom and autonomy, it just seemed very predictable. Perhaps it would have had more of an impact if I had seen it performed live. Aside from that, the tension and suspense in this play was great! Nora, Torvald, Rank, and Krogstad's relationships were fascinating to watch play out. I especially love how unsettling much of the language the characters used was.

0 Responses posted in December
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