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玩偶之家
Blurb
《玩偶之家》是挪威剧作家亨利·易卜生于1879年的剧作，亦是他的代表作品，又译作《娜拉》。《玩偶之家》在《社会支柱》完成后两年写成，是易卜生首个引起轰动的作品，现时仍是他最有名的作品，它亦是很多中学及大学的指定读本。十九世纪盛行的一般佳构剧，如佳构剧的始祖尤金‧史克莱普等人之剧作追求计算情节，作品往往缺乏深度。易卜生吸收了佳构剧的手法，运用在呈现经他深思的问题上。《玩偶之家》堪称是易卜生最有代表性的社会问题剧。 因为它尖锐批评十九世纪的婚姻模式，故在出版初期极具争议性。《玩偶之家》的写法大多亦依从佳构剧，除了最后一幕，一反以解决事件为惯例的结尾，取而代之以一个讨论完结。虽然易卜生否认，但《玩偶之家》常被称为首个真正的女性主义剧本。[2]
英国首次在1893年演出《玩偶之家》，此版本由Janet Achurch演娜拉，而最受赞扬的美国舞台制作是1902年的版本，由Minnie Maddern Fiske演娜拉。1935年江青曾在上海金城大戏院出演该剧女主角。赵丹演男主角，金山、魏鹤龄演配角。导演团欧阳予倩、洪深、史东山，执行导演章泯。
此外，《玩偶之家》亦曾多次被拍成电影。
Member Reviews Write your own review
Ryan.bonn
Spoilers ahead! I get that the end is the most impactful part of this play. And yet, it felt almost too predictable to me. I suppose it is just that my mindset is too 20th century. Do not get me wrong, I am glad Nora gained her freedom and autonomy, it just seemed very predictable. Perhaps it would have had more of an impact if I had seen it performed live. Aside from that, the tension and suspense in this play was great! Nora, Torvald, Rank, and Krogstad's relationships were fascinating to watch play out. I especially love how unsettling much of the language the characters used was.
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