Nora oder Ein Puppenheim

by 亨里克·易卜生, 克里斯多夫·漢普頓

Blurb

Four of Ibsen’s most important plays in superb modern translations, part of the new Penguin Ibsen series. With her assertion that she is “first and foremost a human being,” rather than a wife, mother or fragile doll, Nora Helmer sent shockwaves throughout Europe when she appeared in Henrik Ibsen’s greatest and most famous play, A Doll’s House. Ibsen’s follow-up, Ghosts, was no less radical, with its unrelenting investigation into religious hypocrisy, family secrets, and sexual double-dealing. These two masterpieces are accompanied here by The Pillars of Society and An Enemy of the People, both exploring the tensions and dark compromises at the heart of society.

First Published

1879

Member Reviews Write your own review

ryan.bonn

Ryan.bonn

Spoilers ahead! I get that the end is the most impactful part of this play. And yet, it felt almost too predictable to me. I suppose it is just that my mindset is too 20th century. Do not get me wrong, I am glad Nora gained her freedom and autonomy, it just seemed very predictable. Perhaps it would have had more of an impact if I had seen it performed live. Aside from that, the tension and suspense in this play was great! Nora, Torvald, Rank, and Krogstad's relationships were fascinating to watch play out. I especially love how unsettling much of the language the characters used was.

0 Responses posted in December
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