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Hope in gates, hope in spoons, hope in doors, hope in tables, no hope in daintiness and determination. Hope in dates. A Cubist masterpiece made up of perfect, glittering fragments, Stein's painterly impressions of 'objects,' 'foods' and 'rooms' are redolent of sex, laughter and the joyous rush of everyday life.
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Gertrude Stein, as a college student at Radcliffe and a medical student at Johns Hopkins Medical School, was a privileged woman, but she was surrounded by women who were trapped by poverty, class, and race into lives that offered little choice. Her portraits of Anna and Lena are examples of realistic depictions of …
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